For my next reading, I cycled back to the classics and found myself another Wilkie Collins novel, No Name. This is the longest one of Collins that I’ve read so far with 786 pdf pages worth of reading, excluding the Preface. This one’s a bit different from his usual creations because he called the main divisions of his work as scenes (instead of Books). In between the scenes, he used an epistolary form of narration to continue the story. It’s not really one of my favorite Collins story, but it did give me some things to think about. There were truths here that I’ve always taken for granted and seeing them in story form made me realize that they are important insights, even in our time.
No Name is a skillfully woven tale of two young women born out of wedlock who lost their inheritance because of a legal technicality. Norah Vanstone, the older sister, chose to accept their fate and opted to create a life that was very different from what she was used to. In contrast, Magdalen Vanstone, chose a much darker path than her sister’s. For Magdalen, the lost inheritance was stolen property that she needed to recover, both for her sake and her sister’s.
This story mostly revolves around Magdalen’s attempt to recover this lost inheritance. Throughout the book, readers will see her scheme and collaborate with a known con-man to execute her plans. Not surprisingly, most of those plans failed and each failure made her more and more desperate. By the end of the story, readers will see a very different Magdalen from the character depicted in the earlier parts of the book.
In this story, Collins gave us a character that exemplified the struggle between good and evil. This was the main theme of his story. In addition to this reality, I picked up 5 more which brings me to 6 truths that No Name taught me. Cutting short this introduction, I now present the 6 realities revealed by reading No Name:
As always, there are spoilers ahead.
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It takes patience to read a Wilkie Collins classic. I’ve probably attempted to read this e-book three times before I finally gave up and let it stay on my PC for a year. I couldn’t get myself to delete it because I know that a Wilkie Collins creation is a treat once you get to the part that makes it interesting. So I tried to read again chapter by chapter. It was bearable when I read one chapter a day. Then I tried two chapters per day. Near the end of the book, I ditched the two chapter ration and just continued reading until the end.
It was indeed something that I enjoyed reading. To say that the plot is convoluted is absolutely accurate, and it’s what makes this story engaging. Armadale is a classic mystery set in the 19th century. It tells us of a story of two best friends named after their father bearing the same name – Allan Armadale. One of the younger Allan Armadale was solely raised by his mother in a remote place called Somersetshire Shores while the other Allan Armadale ran away from home and took up the name of the gypsy vagabond who informally adopted him. So the story proceeds with the other Allan Armadale living as Ozias Midwinter, a name of a wretched drunkard gypsy. It was serendipity that Ozias Midwinter found himself wandering in Somersetshire Shores and it was the beginning of a friendship that he will cherish throughout his life.
A mystery is not a mystery without a villain (or villainess) and Collins expertly introduces his readers to Lydia Gwilt who provided movement to the novel. Allan Armadale of Somersethire Shores is such a lucky fellow that he eventually inherited Thorpe Ambrose estate from his mother’s side of the family (the Blanchards). We all know what happens when money is involved. It becomes a motive for something sinister. Lydia Gwilt originally obsessed over marrying Allan Armadale because of the conveniences that a lady of Thorpe Ambrose may experience. Near the end of the book, her obsession evolved into a desire for murder.
Probably the best part of any Wilkie Collins story is his well-developed characters. Lydia Gwilt may have been a villainess and reading through pages and pages of her twisted schemes made me hate her at most. Surprisingly though, she made me cry when she sacrificed herself in place of Ozias Midwinter inside the room with the noxious fumes of her own doing. If you read the novel carefully and internalize it well, these characters can come to life as if they are real and not just figments of a good writer’s imagination.
Armadale is a work of fiction but it also mirrors humanity as perceived by the author. So cutting short this introduction, I now present 17 life lessons that I’ve picked up from reading Armadale:
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